Milestone Monrepos

On Picnics, the Forces of Nature, and Test Fires

It’s one of the first words you’re practically bombarded with here at the start of a festival season: MOA, MOA, MOA. The repetition is entirely intentional, because for the first time in the festival’s history, the Monrepos Open Air (which is, of course, what the acronym stands for) took place not just on one, but on three evenings. Simply more open-air.

»Simply more« also seems to be a wonderful description of this past festival week. Whether outdoors, indoors, on picnic blankets, or on theater stages—there was plenty on offer!

»Cheerful Feelings« and »Thunder, Storm«—the weather set the stage for Beethoven’s Pastoral Symphony

For months, our team—led by our KPP project manager Charly Freitag—had been working toward this moment, and now the time had finally come: Curtain up for the Monrepos Open Airs! Since Tuesday, our team had been hard at work on the grounds of the Monrepos Estate, hauling chairs, setting up the famous arched stage, running cables throughout the grounds, and setting up the artists’ dressing rooms—what can I say: it was all worth it! Although the scale was different from previous years, as soon as the setting sun, together with the string lights, enveloped the romantic lakeside castle in atmospheric darkness, that unique ambiance was immediately palpable once again.

A sea of picnic blankets covered the festival lawn, the reserved tables were beautifully set—complete with vases, candlesticks, and homemade treats—and the photo booth provided by our sponsor, the Kreissparkasse Ludwigsburg, was in constant use—wonderful! What could be more beautiful than gazing up at the sky on a balmy summer evening, listening to talented musicians, interrupted only by the chirping of crickets and the twittering of birds flying by (is that a night heron?)—testaments to the unique natural setting that were also reflected musically, particularly in Beethoven’s »Pastoral« on the third evening.
»Nature composes along with us«, as Harry Schmidt puts it in his review, and that applies not only to the venue or the program (the conductor for the second and third evenings, Jan Caeyers, even calls Beethoven the »first great ecologist«). It’s also true that nature had a hand in the weather at Monrepos Open Air I. Looking out over the audience dotted with umbrellas, rain capes, and rain jackets, one got the impression of being at the Hurricane Festival—perhaps even Wacken. You can be sure that our team, as well as the musicians of the Württemberg Philharmonic Orchestra of Reutlingen, were deeply disappointed by how the evening unfolded, which ended abruptly after intermission. We would have wished for a different outcome. At least we were able to celebrate properly with you at Monrepos Open Airs II and III—as beautiful, atmospheric, and harmonious as it should be!

Haute Cuisine – for humans and animals

It’s not just our Monrepos Open Airs that you can enjoy in the fresh air; our »Music in the Park« series also entered its second round. Joining us were the Ars Trombonica trombone quartet—and the winners of our Valentine’s Day contest! A couple newly in love and another who’ve been together for a while won us over in February with a photo in our LUDI festival beach chair and were surprised with a picnic at »Music in the Park II«. It wasn’t just our winners who loved it—the animal residents of Favorite Park were also thoroughly charmed by both the music and the picnic. How wonderful that our concerts bring nature and art so close together—and for such a large crowd! We welcomed around 350 listeners to our »Music in the Park II« event. That’s the festival spirit!!  

Farewells and Firsts

The festival spirit was also palpable during our very last concerts in the Ordenssaal. Over the course of weeks, we had grown so accustomed to »our« castle and the wonderful venues within it. Saying goodbye to the Palace Theater a week earlier had been difficult enough; now, hosting the final events in the Ordenssaal felt like a definitive ending that even made the team feel a bit melancholy. Yet the final concerts in this beautiful hall were truly enchanting—both Lisa Batiashvili with Nino Gvetadze and the Schumann Quartet, as well as Ragnhild Hemsing and Jonas Palm, both performing with the Württemberg Chamber Orchestra, once again impressively demonstrated the breadth of our chamber music repertoire at the Ludwigsburg Festival.
Amid all the feelings of farewell, however, we must not forget the firsts. And we definitely had such a novelty up our sleeve with »Der Freischütz«! Directed by ADK graduate Max Porstmann, participants from four different universities come together for a new interpretation of Weber’s classic »Der Freischütz«. The starting point for this project is somewhat ironic, yet the coincidence of the director’s name matching that of Weber’s protagonist has already been a theme in past performances. In his production, Max Porstmann examines the origins of violence and its continuation across generations, explores the central motif of the trial shot, and confronts his own fear of shooting. A »Freischütz« that, according to conductor Alexander Schmid, could not be more contemporary or more classical. For those who haven’t had a chance to see it yet, a visit on Friday, July 24, or Saturday, July 25, is highly recommended!

We’re looking forward to the next two weeks, which already feel a bit like the finale.

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The sixth week of the Festival in pictures: